Each audition requires the student to play a solo and a selection of scales, as well as requiring the student to sight-read some music.
The solo must be selected from the listed pieces for the level of orchestra the student hopes to join, or be of comparable difficulty. All solos should be played at the appropriate tempo, with attention to musicality. Solos do not need to be memorized or accompanied, though that is encouraged. Please provide a copy of your solo for your judges.
The student must be prepared to play ALL of the scales listed for the level of orchestra the student hopes to join. The judges will typically only require two or three of these scales to be played. For your convenience, we have included scale sheets that you can use in preparation for the audition. Fingerings have been included as suggestions.
The sight-reading excerpts will be chosen by the judges, who will ensure that it is the appropriate level for the student.
Solos: From Suzuki Book 1: Etude, Minuets 1,2, or 3, or Happy Farmer
Scales: D, G, and C Major; a melodic minor, e melodic minor–1 octave
Solos: From Suzuki Book 2: Hunter’s Chorus, Bouree, Theme from Witches’ Dance, Gavotte from Mignon, Lully Gavotte
Scales: D, G, C, A, –2 octaves; B flat and F Major–1 octave. All relative melodic minors–1 octave.
Solos: From Suzuki Book 3: Becker Gavotte, From Suzuki Book 4: Seitz concerto (any movement) or Vivaldi concerto (1st or 3rd movement)
Scales: “Regional audition requirements”– all major key signatures up to 4 flats, 4 sharps, and their relative melodic minor scales- All scales must be at least two octaves. 1 scale must be 3 octaves.